Classic early video works by the pioneer artist and performer
Vito Acconci in Theme Song (1973)
Performance artist and musician Laurie Anderson on Vito Acconci:
“He made me laugh really a lot. He was so emotional. Nobody else was acting like that, and I thought, ‘Wow! A man being like that. That’s incredible.’ And he was very funny at the same time. A great writer. That’s what I really like a lot. He was and is a great poet. I love just listening to him speak.”
In 1969, Vito Hannibal Acconci, an experimental poet living in New York, made a radical shift in his art. His concept of poetry was as much visual as verbal – he used the space of a blank page for words and letters the way a painter would use a canvas for paint. Suddenly, he realized that he could use the space of New York City as a performer in the same way he used a blank piece of paper as a poet.
Thus began one of the most unusual, prolific and admired bodies of work in all of twentieth century art. In the next half-decade, Acconci produced a staggering number of performances – in galleries, in the streets or all alone, using his own body and its limitations as a basis. On the occasion of the artist’s seventieth birthday, Film Love presents four of Acconci’s classic performance videos. Comic and serious in equal measure, conceptually brilliant, and running the emotional gauntlet from hilarious to touching to disturbing, these memorable and influential works helped establish new ways of creating art in America.
Acconci’s art is all about relationships: between self and other, self and environment, man and woman, public and private, vulnerability and control, between opening up and closing off, between I and You. Acconci’s performances are marked by his intense but highly engaging personality – his deadpan face, distinctive gravelly voice, comic timing, and brilliant use of language. In addition, the videos document the heroic (and often risky) mental and physical extremes to which Acconci went in order to fully explore the profound philosophical, existential, and psychological issues raised by his ideas.
At the screening, curator Andy Ditzler will provide an introduction to the videos and to Acconci’s work.
PROGRAM Open Book (1974, 9 minutes, video)
Claim Excerpts (1971, video)
Pryings (1971, 16 minutes, video)
Theme Song (1973, 33 minutes, video)
Vito Acconci on the street, in Following Piece (1969)
VITO ACCONCI: OPEN TO YOU is a Film Love event. The Film Love series provides access to rare but important films, and seeks to increase awareness of the rich history of experimental and avant-garde film. The series is curated and hosted by Andy Ditzler for Frequent Small Meals. Film Love was voted Best Film Series in Atlanta by the critics of Creative Loafing in 2006, and appears in Atlanta Magazine's Best of Atlanta 2009.
Seishun America Junjyo Monogatari
January 30, 2010 7:00PM - - - Price: Suggested donation of $5
film premiere: Seishun America Junjyo Monogatari
Jason and Eita are roommates. Jason came to the States from Japan, dreaming to become an internationally renowned photographer.
Desire to achieve Jason's dream starts fading when he witnesses his friend's murder. Eita encourages Jason not to give up his dream despite his failing to achieve his own goal to reunite with a girl he has had a crush on for 6 years. While they both continue to live life pretending to be alright, Jason unexpectedly meets the girl Eita was looking for.
Two showings one at 7pm and one at 9pm.
SAJM second screening
January 30, 2010 9:00PM - - -
Second screening of film "Seishun America Junjyo Monogatari"