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November 7, 2014 Friday

music
Mark Hosler of NEGATIVLAND/ Magicicada
9:00PM - - -
Price:  $10
MARK HOSLER

Mark Hosler is a founding member of the American audio visual collage group Negativland. Since 1980 Negativland have been creating records, video, visual art works, radio, and live performance, using appropriated sound, image and text. Taken mostly from corporately owned mass culture, Negativland re-arranges these found bits and pieces to make them say and suggest things that they never intended to. In doing this kind of cultural archaeology and "culture jamming" (a term they coined way back in 1984), Negativland have been sued twice for copyright infringement.

Mark takes a break from his Negativland duties to perform live and solo for the first time in his 34 years of making music. Using a performance set-up built around various homemade one-of-a-kind electronic noise making devices (including two of Negativland's original "Boopers"), Mark creates an engaging and musical soundscape performance with devices that are intentionally unstable analog feedback boxes. Sometimes sounding like insane, alien, electronic insects fighting each other, the Boopers create a non-linear dynamic "living" system of sound for Mark to interact with that ends up being a performance dynamic where the musician is a fellow collaborator with the devices, encouraged to converse instead of merely transmit. The Boopers used in this show go way back to 1975, when Negativland founding member David Wills created the first one, adding multiple transistors to a simple FM radio receiver, and sending its output back into its input. Various knobs control the amount of signal through the transistors, but the sound that emerges remains wildly variable, and incredibly fun to listen to. Using multiple Boopers (all based on Wills's original design) and other homemade electronics as primary sound sources, Mark manipulates and augments the raw sound sources into a choral rainforest of pure electronic ear candy, erasing any easy distinction between the machine and the human. He might also rock out a little bit, too.

More info -

In addition to live shows, CDs, radio shows, books, DVDs and visual art shows both solo and with Negativland, Mark has given over 100 lectures at various places like MIT, Yale, Princeton, Duke University, New York University, UC Irvine, UC Berkeley UCLA, Seattle University School of Law, Cranbrook Academy of Art, Universities of Arizona, Virginia, Tennessee, Georgia, North Carolina, and at various venues in Washington D.C, New York City, London, Berlin, Barcelona, Lisbon, Bologna, Lausanne, Amsterdam, Stockholm, Toronto, Vancouver, Honolulu, and Melbourne Australia. He has also given talks at the Regional Conference to End Corporate Dominance, the Consumer Electronics Show, the Conference On The Public Domain, World Fair Use day, and, as a citizen lobbyist, given presentations about art and copyright law to the offices and staff of various Senators and Congressmen on Capitol Hill in Washington DC.

In 1995 Negativland's released a 270 page book with 72 minute CD entitled "FAIR USE: The Story of the Letter U and the Numeral 2". This book documents their 4-year legal battle over their release of a single entitled "U2". San Francisco filmmaker Craig Baldwin produced a feature length documentary about Negativland, their "U2" single, culture jammers and other appropriation artists entitled "Sonic Outlaws" and Mark has appeared at many showings of this film to lecture, speak, debate, and answer the many questions that are raised whenever that film is shown. Negativland also created the soundtrack and sound design for Harold Boihem's documentary "The Ad and the Ego," an in-depth look into the hidden agendas of the corporate ad world that goes deeply into the gross and subtle ways that we are adversely affected by advertising.

The group continues to perform and tour, broadcast their weekly radio show '"Over The Edge," and more recent work includes "Our Favorite Things," a feature length DVD collection of their many years of collaborative film work, and various retrospective art shows in New York City, Seattle, Minneapolis, Houston, and Los Angeles of their visual collage work. And in 2014, for their first new audio release in six years, "It's All In Your Head" finds the group tackling their biggest subject ever: why humans believe in God.  This ambitious and densely-crafted double CD is packaged inside an actual King James Holy Bible which has been appropriately repurposed into a "found" art object. Negativland mixes found music, found sound, found dialogue, guest personalities and original electronic noises into a compelling and thoughtful musical essay on monotheism, Christianity, Islam, Judaism, neuroscience, suicide bombers, 9/11, colas, war, shaved chimps, and the all-important role played by the human brain in our beliefs.

www.negativland.com
facebook.com/pages/Negativland/13175975018511



Declared heroic by their peers for refashioning culture into what the group considers to be more honest statements, Negativland suggests that refusing to be original, in the traditional sense, is the only way to make art that has any depth within commodity capitalism...
- NEW YORK TIMES

Negativland isn't just some group of merry pranksters; its art is about tearing apart and reassembling found images to create new ones, in an attempt to make social, political and artistic statements. Hilarious and chilling.
- THE ONION

A provocation and a punk-inspired commentary on our mercenary culture…eloquent and impassioned spokesmen for ideas like a “creative commons”…it’s salutary to see these smart and influential guys get a gallery show.
- ART IN AMERICA

Negativland, longtime advocates of fair use allowances for pop media collage, are perhaps America's most skilled plunderers from the detritus of 20th century commercial culture...the band's latest project is razor sharp, microscopically focused, terribly fun and a bit psychotic.
- WIRED MAGAZINE

Negativland is arguably the preeminent audio collage collective of our time.
- HI FRUCTOSE

Mark Hosler - 2013 Aug. 1 - Live at Ghostprint Gallery - Richmond, Virginia from Silver Persinger on Vimeo.



MAGICICADA

Good words for Magicicada's newest release "Wrack with Ruin":

Trying to define Magicicada and explain what’s going on in Wrack With Ruin is quite difficult. At times the album is glitchy, at others it’s melodic, and at others it’s just plain confusing. There are harrowing vocal samples and sounds that couldn’t possibly have been orchestrated; here, mastermind Chris White proves himself to be a master of the printer sound. One thing is certain: Wrack With Ruin is heavy and dark in a way that makes it difficult to listen to fully. It’s really good, but just like Death Grip’s LP No Love Deep Web, it’s so hard-hitting that it might be tough to go from start to finish. However, the farther in you get, the easier it is to take in.
The 15 tracks on the record are all so different, it’s impossible to just sum the album up with a few of them. “Glancing Off The Edges” seems to take inspiration from sci-fi alarm sound clips. “Pardon You” features an almost laugh-inducing accordion. The strings on “Homeopathic Processor” and “Livewater” give me the mental image of a giant many-legged organism playing a bunch of poorly tuned violins. “Blossoming Snares Of The Earth” is a spaceship banging on drums. If that doesn’t convey what’s going on, literally nothing can.
Projects like Magicicada are what truly reveal genius. For a lot of people, defining this as “music” would be difficult, but there’s something really challenging about making music out of sounds like what are present here that conventional composers lack. I don’t mean to make writing music sound easy, but the world is full of people who can sit down with a piano or a guitar and bang out a song, but I’m not sure if they could take all these zany bangs and blips and make them into something that’s listenable.



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